"Gollaher" Woman 1
From Tooele DUP
There are no markings on the front or back of this carte de visite.
Possible IDs:
Elizabeth Orton (Gollaher)
Isabella Miller (Gollaher)
Frances Culbertson (Gollaher)
This style of photography was most common during the 1860s but persisted much later in the century. This could also be a later copy of a daguerreotype (available in Great Salt Lake City by 1852). A note in the DUP scrapbook from which this photo was scanned reads as follows: "pg 28 left side- Elizabeth Orton married Wm Gollaher. Nancy Jane Gollaher (daughter) died on trail Winter Qtrs. Left bottom - Isabella Miller wife of James Monroe Sr."
- Elizabeth Orton Gollaher. This ID, the most likely of these three, is based on the note in the DUP scrapbook. (My notes seem to indicate this was on the bottom left of the page, though it may not have started out there.) Elizabeth would have been 42 or 43 in 1852 so is the right age for this to be a copy of a daguerreotype. (Elizabeth died in 1854.) Stiff poses were typical of daguerreotypes because of the long exposure times.
- Isabella Miller Gollaher. This ID again is based on the note in the DUP scrapbook. Isabella (1862-1932) married James Monroe Gollaher Jr. If we assume this woman is at least in her 30s, the photo would have to come from the 1890s, which seems very unlikely given the plain stock, plain backdrop, and probably clothing and hair styles.
- Frances Culbertson Gollaher. This ID comes from Michael Gollaher following Amy Fowler. Frances was born in 1783, so would have been in her 70s when this picture was taken if it's a copy of a daguerreotype, or in her 80s or older if it's a glass plate original. That seems too old to be the woman in this picture.
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"Gollaher" Woman 2 From Tooele DUP
The woman in this photo closely resembles "Gollaher" Woman 1 in facial features. I am convinced they are the same person. Possible IDs:
Elizabeth Orton (Gollaher)
Isabella Miller (Gollaher)
The front says "Hurd's Gallery." The back says "J.C. Brewster, Photographer, No. 140 South C Street, Virginia, Nevada, Views of Gold Hill, Virginia, and vicinities; also Chromos, albums, etc., on sale. Views of Mills, Mining Works, Dwellings, and Natural Scenery taken on short notice; Enameled Cards, Sunpearls made to order. All negatives preserved."
As with the photo of "Gollaher" Woman 1, this could be a glass plate copy of a daguerreotype. The stiff standing pose beside a chair is reminiscent of daguerreotypes by Marsena Cannon, who worked in Great Salt Lake City in the early 1850s. (Often a wood frame was used to keep the subject still during the long exposure time.) Note also the similar fringe on the furnature in the two photos, which might be evidence they were made by the same photographer. The fact was made in a studio in Nevada after Elizabeth's death is not a problem if this is a copy made from a daguerreotype original.
- Elizabeth Orton Gollaher. This identification, the most likely, is based on the subject's resemblance to "Gollaher" Woman 1. See the notes there on the plausibility of this ID. Michael Gollaher, following Amy Fowler, also identifies this as Elizabeth Orton Gallaher.
- Isabella Miller Gollaher. Again, this is based on the resemblance to "Gollaher" Woman 1. The plainness of the card and backdrop make me think this was taken in the 1870s rather than later, which makes it unlikely this is Isabella.
If you can shed light on the identity of the woman in this photo, please contact the webmaster (see below). |